Growing up I was a huge Spider-man fan. I not only had a subscription to the original “The Amazing Spider-Man” comic book, but also the less popular Spider-Man titles “Peter Parker, The Spectacular Spider-Man,” “Web of Spider-Man,” and even the bizarre parody comic “Peter Porker, The Spectacular Spider-Ham,” which followed the adventures of an anthropomorphic pig who had been bit by a radioactive spider.

I didn’t stop with the comics though – I also watched the cartoon for hours on end, sent away for a web cartridge that promised to shoot webs just like Spider-Man’s (it didn’t), and even had Spider-Man come to one of my birthday parties. When we asked him if he could climb a wall or spin a web for us, Spider-Man told us he couldn’t because it was his “day off.” The nine-year-old Mike was crushed… and very suspicious.

With all of that said you can imagine just what I wanted to do upon setting foot in New York – check out the new Broadway musical, “Spider-Man: Turn Off The Dark!”

The new Spider-Man musical, it is safe to say, is the most talked about Broadway musical in decades (if not ever), and for good reason:

  • Years in the making, the production cost sixty-five million to produce and will need to sell out every show for years in order to just break even.
  • Directed by two-time Tony winner Julie Taymor (previously the director of Broadway’s “The Lion King”), it features music and lyrics written by Bono and The Edge of U2.
  • It is one of the most elaborate shows of all-time, and features performers flying high over the audience. This part of the show has taken some time to perfect, and one performer even fell from his harness and seriously injured himself during a preview show.
  • Critics have given the show pretty brutal reviews, and “Saturday Night Live” even did a sketch poking fun at it.

spiderman
Before the show started. Also before an usher told me no pictures were allowed.

One of the main problems critics have had with the play is its story which has been called incomprehensible. I can see how someone unfamiliar with the story of Spider-Man could have this reaction, especially during the first half of the show which jumps from scene to scene of Spider-Man’s origin story with lightning speed – sort of like a Cliff Notes version of Spider-Man. If, however, you know the story (or even just saw the first Spider-Man movie) you will be able to follow what is going on just fine.

As for the music (this is a musical, after all), the songs are rock and roll driven and sound like they were written by members of U2, but none really stick in your head upon first listen. This isn’t to say the music is bad, it’s just not as immediate or memorable as you’d like for a musical. Despite this the performers all sing the material with great skill and enthusiasm.

The main reason for seeing this play, however, is for the sheer spectacle. The sets and costumes are first-rate, and the action sequences that see the actors flying over the heads of the audience are truly breathtaking. In fact, when Spider-Man first flew away from the stage (about forty minutes into the performance), the audience broke into applause. These sequences are arguably worth the price of admission alone, but it should be noted though that only ten minutes or less of the two hour plus performance is made up of these aerial sequences.

All in all I enjoyed “Spider-Man: Turn Off the Dark” for the most part but it was definitely…weird. The mixing of a super hero story with the song and dance of Broadway is a very strange combination if you think about it, and there are moments (such as when a group of Spider-Men break into a choreographed¬†dance routine) that are truly bizarre. Fortunately, there are many fun moments when these two disparate elements compliment each other, and the aerial sequences really are unlike anything you will have ever seen before.

VERDICT: Definitely worth seeing if you are a Spider-Man fan, all others should proceed with caution.